Way back in September Awana, Jean and I went to an annual Dye Day event and turned this –

1800 yards Corridale handspun, light worsted weight. Maybe the most boring spinning project I’ve ever done.
Shades of Autumn orangey goodness. Three skeins were an odd tangerine color as a result of being first into the dye pot (more on that project another day.) A bit of brown and a bit more red were added until the perfect color began to emerge.
It was a group effort as everyone was lifting off lids and exclaiming over the colors as they simmered. Should have gotten a total Pounds of Yarn & Fiber Dyed that day, but sadly we were all so busy talking it was impossible.
Anyway. The yarn is nice and bouncy, light worsted weight and I knew I wanted to design and knit a simple shawl, putting the yarn on display to its best advantage.
I have always been enamored of the Hap* Shawl – that most practical of shawls, able to stand up to daily use over or under a coat or just tossed about the shoulders on a chilly morning, comforting and finally worn out with love and decided this would be my goal.
I prefer to knit a shawl from the top down, starting with 13 or so stitches and keeping a few edge stitches in garter to avoid that annoying tendency to curl. Having sold all of the Stash Shawls I had on hand during the blitz of craft faires the Sweatshop Girls attended before the Holidays, I knew it needed to work up fast because we’ve applied to a couple more coming up very soon, so a US #10.5 needle was chosen and off I went.
This is the end result blocking on the floor of the Studio –
The center is plain garter stitch with two Ostrich Plumes repeats giving that wonderful wavy edge. The final two rows and bind off were worked plain with a yarn from the same dye pot that started out a natural gray.
A closer look at the wavy edge before blocking –
Sitting atop a pile of freshly-washed Shetland fleece from Whistlestop Shetlands and a fab hard plastic strainer thing that warrants a post of its own.
You might have noticed the blotches of white here and there, a consequence of having the ties a bit too tight in places – the dye couldn’t penetrate to the center of the skeins in those places. While some see this as a flaw, I see it as an Artful Variation, something you just don’t get with factory yarn 🙂
I’ve had it in mind to publish a group of patterns detailing the construction and use of the Hap shawl for some time now. What say you?
* Hap is a general term for a cover-up to keep warm. Traditional Shetland Hap shawls are square in shape, with the “half-hap” being half a square, making this shawl technically a half-hap.